nelly y. pinkrah cv λ glossary

teaching

Study names what happens when knowledge refuses settlement into disciplinary containers, when reading together across difference becomes not some reconciliatory gesture toward consensus but rather the ongoing work of learning how to think alongside opacity (that which resists capture, translation, administrative legibility), when the very scene of pedagogy must be reckoned with in its foundational violences—the paidagōgos who in ancient Greece accompanied children to school being, etymologically and historically, the enslaved attendant who managed bodies in space, enforced hierarchies through quotidian practice, made the educational relation inseparable from racialized subjugation, such that any critical pedagogy worthy of the name has to begin not from perfecting teaching techniques but from wrestling with how the classroom itself operates as apparatus, how knowledge transmission reproduces or refuses the social relations it inherits, how collective intellectual work might be invented rather than merely inherited from institutional forms designed always to extract and contain rather than to sustain and proliferate thought that doesn't resolve into marketable expertise.
School of (Un)thought: Tools and Technologies of Study
with Mitch Pfeifer
An ongoing collaborative project (part of the international ASchool network) that materialized in 2024 as a full course dedicated to taking seriously the university as place where people critically and collectively think, research, produce knowledge—following bell hooks' formulation of critical pedagogy as practice of freedom—which meant taking one of the most important spaces at the university, the classroom itself, as object of conscious production and re-evaluation, asking how we meet, how knowledge gets brought in and passed on and produced together, how the classroom might reorganize social relationships rather than reproduce them, how we might not only think society but change it through the very forms our study takes, which required drawing primarily on Black feminist theory, queer studies, Black studies, and media theory to develop common practice while documenting and creating an accessible archive functioning as toolkit for further critical questioning and development.
TU Dresden project page →
sessions
invitations

Two prompts for thinking together, responses building an archive of collective thought:

Name a technology that taught you something it wasn't supposed to teach—

What's a word that breaks when you try to define it?

Responses join a growing archive of collaborative thinking

currently thinking with
books
  • Édouard Glissant, Introduction to a Poetics of Diversity
  • Dionne Brand, The Blue Clerk
  • Arnaud Zohou, Histoire du vodun
  • Jackie Wang, Carceral Capitalism
  • Orisanmi Burton, Tip of the Spear
  • M. NourbeSe Philip, Zong!
  • Hayden White, The Practical Past
  • Mohammed Khaïr-Eddine, Soleil arachnide
  • Souffles-Anfas (Moroccan revolutionary poetry journal, 1966-1973)
  • Günther Anders, Die Antiquiertheit des Menschen
  • Abraham Moles, Théorie des objets
  • Jim Al-Khalili, The House of Wisdom
novels
  • Nalo Hopkinson, Midnight Robber
  • Octavia Butler, Parable series
  • Nnedi Okorafor, Binti trilogy
  • Clarice Lispector, The Passion According to G.H.
music
  • klein
  • Mulatu Astatke
  • Heroes Are Gang Leaders (James Brandon Lewis & Thomas Sayers Ellis)
previous courses

Ongoing: thesis supervision and mentorship across institutions (TU Dresden, Rijksuniversiteit Groningen, Leuphana University Lüneburg, 2020–present); mentoring through Humanity in Action Fellowship program (2019–present)